A heavily limited premaster will actually cause your track to be cut quieter in most cases.
Limiting for vinyl.
Also try to balance the side times preferably within one minute.
As a general rule an lp should be under 20 minutes and 24 minutes maximum.
If one side has to be longer put more of the quiet material on that side.
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The sequencing difference is that delivery from mastering for digital is either individual wav files for download or a single ddpi file for cd replication whereas for vinyl the delivery is generally two wav files one for each side of the record.
The main limitation for latex compatible vinyl is the high temperature required to dry and encapsulate the ink.
Don t limit the mixdowns too much.
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For vinyl the optimum source is 24 bit dynamic and limited either extremely lightly or not at all.
While limiting makes the average level of a digital track louder it will cause lots of trouble at vinyl mastering.
While scarcity can be a major factor in a vinyl record s value intentional scarcity can affect it even more.
Probably the cut will be done a the same level than with no peak limiters.
The only way to make sure your master is ideally suited for the vinyl format is by hiring a professional mastering engineer to pre master your material for vinyl.
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If i limit some peaks for vinyl mastering for example 4 db of gain reduction it does not mean than i ll cut the lacquers 4 db up.
Limiting vinyl i prefer getting the panel where i want it center nail the slots then limit it by picking a slot toward the center of the panel and 2 nailing it allowing the panel to move in both directions while maintaining center.
So using a limiter to have more gain is not a good idea for vinyl mastering.
16 to 18 minutes is ideal.
And therefore many variables are at play.
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Chloroethene chloroethylene ethylene monochloride monochloroethene monochloroethylene vc vcm vinyl chloride monomer vcm colorless gas or liquid below 7 f with a pleasant odor at high concentrations.
This will insure even levels.